혼자 국내여행, 뭐부터 준비해야 하나요?

Horizontal 16:9 flat vector editorial illustration, minimal and calm. A single small traveler figure seen from behind, standing alone on a simple platform edge with one wheeled suitcase beside them, looking toward a gently curving rail line that recedes into soft rolling hills on the right. Extremely simplified geometric shapes, flat fills, no outlines on the landscape, subtle grain texture. Strictly limited palette of four muted colors: warm off-white background, deep charcoal navy for the figure and platform, muted amber for the suitcase and a low sun disc, soft sage green for the distant hills. Large areas of empty negative space in the upper half. No gradients beyond a single flat sky band, no clutter, no station buildings, no poles or boards of any kind. Absolutely no text, no letters, no words, no numbers, no captions, no watermark, no logos, no signage anywhere in the image.

Square 1:1 minimal pictogram graphic, warm off-white background. Concept conveyed purely through shapes: one small filled circle at the top center acts as a starting point, and three clean line paths branch downward from it to three simple pictograms arranged in a row at the bottom — a side-view car, a side-view bus, and a pair of walking footprints. Each path has a slightly different shape: one straight, one gently curved, one stepped. Thin uniform stroke weight, rounded line caps, flat two-tone treatment. Palette limited to warm off-white background, deep charcoal for the pictograms and paths, and muted amber as a single accent fill on the starting circle. Generous margins, centered symmetrical composition, no frames, no decorative flourishes, no charts, no maps. Absolutely no text, no letters, no words, no numbers, no captions, no watermark, no logos, no signage anywhere in the image.

Square 1:1 minimal icon composition, deep muted navy background with a soft vignette. Three simple pictograms stacked vertically along the left third of the frame, each inside a thin circular outline: at the top a small padlock shape, in the middle a simple bed silhouette with a window rectangle beside it, at the bottom a cloud partially covering a sun. A single continuous thin vertical line connects the three circles. Flat icon style, uniform thin strokes, rounded corners. Palette limited to deep muted navy background, warm cream for the icons and connector line, and a soft teal accent glow behind the middle circle. Wide empty space on the right two thirds of the frame. Composition, background color and layout deliberately different from a light centered symmetrical card. No charts, no panels, no frames within frames. Absolutely no text, no letters, no words, no numbers, no captions, no watermark, no logos, no signage anywhere in the image.

Realistic 4:3 horizontal photograph, natural documentary feel. A young Korean traveler seen from behind at mid distance, wearing a light summer shirt with a small crossbody bag, pulling a compact wheeled suitcase while walking along a quiet tree-lined lane in a small Korean town. Late afternoon sunlight filters through the leaves and casts soft dappled light on the pavement. Shallow depth of field with the background foliage and low stone wall softly blurred, subject sharp. Candid unposed moment, natural skin tones, gentle warm color grading, no HDR look, no visible face. Frame contains only the lane, greenery, stone wall and the walking figure — no shops, no boards, no posters, no vehicles. Absolutely no text, no letters, no words, no numbers, no captions, no watermark, no logos, no signage anywhere in the image.